World-renowned for their accurate, full-range sound, Blue Sky is pleased to introduce two new critical listening components to its full line of monitoring solutions: SUB 212 400-Watt Push-Pull Active Subwoofer and the SAT 8 300-Watt, Compact Mid-Field Monitor. The SUB 212 is designed to be an integral part of the monitoring system, enabling a studio monitor, such as the SAT 8, to be positioned for the best imaging, and the SUB to be positioned for the best bass response. Relieving the studio monitor of the requirement to reproduce the low frequencies means that the uncompromising sealed-box design can combine with sophisticated bass management electronics to provide a seamless transition between the SAT and SUB. When combined, the SAT 8 and SUB 212 provide a stunningly accurate and engaging, full-range monitoring system.

A new audio post powerhouse, Sonic Union, soared onto the scene last fall in New York City’s famed Union Square. An alliance of industry veterans, Michael Marinelli (formerly of Buzz/NY) and Steve Rosen (formerly of HSR/NY), Sonic Union’s clientele includes the top advertising agencies such as BBDO, McCann Erickson, Publicis, Saatchi & Saatchi, Fallon, DDB, J.W.T, Crispin Porter + Bogusky, Y&R, and many more.

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When we last caught up with Gregory Allen, the game audio guru was overseeing a large audio team, as Senior Audio Director, at Electronic Arts’ downtown Chicago facility. There, he helped design and gear up nine production, mix and Foley rooms, all equipped with a range of Blue Sky systems. During his 5-year tenure at EA, Allen worked with project teams to create the sounds and audio mix for a slew of titles including the award-winning “Fight Night Round 3”, along with games such as Def Jam Icon.